Thursday, May 15, 2014

End-of-the-Semester Update: Interface Team



  • The interface Group collaborated to identify electronic artifacts.
  • Collected Artifacts.
  • Tested artifacts for basic function. 
  • Documented a profile for each electronic artifact.
  • Collected the Logistics for the interface work. (Such as Rasberry pies and memory cards)
  • Collaborated to collect some historical videos for prototyping.
  • In process to create a secured mounting method to each artifact on the exhibition carts.

End-of-the-Semester Update: Graphics Team

Finalizing the Logo:

Two rows of logo variations. The top row is primarily text, reading "Patient No More!" with a large exclamation point in typewriter font.  The second row is the same text in white on a background of a protest picket sign.
Different variations of picket signs with words "Patient No More."
Color Palettes:

First row: Reddish browns, Second row: pale blues and deep oranges, Last Row: Light yellow and creams
Three group of color palette choices going from top down.
Layouts Concepts for Exhibit Carts:
Text and logo on left, four black and white historical images on right.
Layout concept exploring text and images placement.
Text and logo on right, four black and white historical images on right.
Placement of logo switched to top left corner compared to first concept.
Large black and white photo and logo on left, text in middle, two smaller historical images on right
Second layout concept for placing text and images.
Three black and white images of the same size across the top, text in wide paragraph along bottom, logo bottom right.
Third layout concept for text and images.

Thursday, April 10, 2014

Disabled People’s Forgotten Revolution

By: Catherine Kudlick
As the nation prepares to commemorate the 25th anniversary of the Americans with Disabilities Act (ADA) in 2015, the Paul K. Longmore Institute will celebrate the unique Bay Area contributions to disability rights. Our ambitious exhibit “Patient No More!” will focus on what is known as “the 504 occupation” in 1977 when more than one hundred brave women and men paved the way for so many of us and passing the ADA thirteen years later. We must return to thinking of the Americans with Disabilities Act as the product of grassroots activism and disabled people’s political savvy rather than a mandate somehow passed down from on high. To quote Paul Longmore’s speech at the 20th ADA Anniversary celebration in San Francisco, “We are the ones who did this. This wasn’t handed to us. This wasn’t an act of charity. This wasn’t something done paternalistically. We made it happen. We did it.”

The little-known story of the 504 protests is amazing. On April 5, 1977, dozens of disabled people from diverse racial and social backgrounds entered San Francisco’s office of Health, Education, and Welfare for twenty-five days in what remains the longest occupation of a federal building in US history. They came on crutches, using canes, and in wheelchairs; some used American Sign Language, others augmented communication devices. Many others contributed simply by showing up to offer support. Most arrived with little more than the clothes on their backs, guided by a few vague ideas about why they were there. Yet enough of them had political smarts, experience with building coalitions, tenacity, and fire in their bellies to confront the government of a major world power about their civil rights, and win.

They had come because of Section 504 of the 1973 Rehabilitation Act. Buried in the law to accommodate returning Vietnam veterans was a provision based on the 1964 Civil Rights Act stipulating that individuals with disabilities “should not be denied the benefit of, or be subjected to discrimination under any program or activity receiving federal financial assistance.” Cast in broad terms and bureaucratic language, Section 504 – which would serve as a model for the Americans with Disabilities Act thirteen years later – basically said that everything touched by the U.S. government needed to be fully accessible to people with disabilities: schools, universities, public offices, transit systems, hospitals. After over four years of government stalling that extended to the newly-elected allegedly pro-disability rights Carter administration, the regulations still awaited a final signature.

Infuriated, hundreds of protesters around the country occupied several federal buildings. Most were starved out within a day or two. But San Francisco was different. The organizers’ incredible resourcefulness and months of cementing relationships with local community organizations resulted in an unlikely, dedicated coalition of supporters that included the Black Panthers, the gay community’s Butterfly Brigade, labor unions, Glide Memorial Church, Safeway and McDonald’s, along with sympathetic local and national politicians. Thanks to food, showers, and other forms of help, the 504 occupiers held on for nearly a month, generating national attention and ultimately helping to gain the support necessary for signing the regulations.

The 504 Occupation would be a watershed personal and political moment, one that solidified the Bay Area’s key role in the struggle for disability rights. The Americans with Disabilities Act would not exist in its present form – or even at all – without the energy, people, and determination galvanized by this unparalleled historical moment. Thanks in no small part to the 504 sit-in, cross-disability thinking would be central to the ADA’s scope and reach and would shape the disability rights movement in general. The experience of spending more than three weeks in close proximity among people with a wide array of disabilities during what became simply known as “504” fostered an esprit de corps and coalitions that would have been unimaginable a few years earlier. When officials first cut the phone lines, Deaf people stood at the windows and used American Sign Language to convey messages between protesters inside and outside the building, while, blind people fed and toiletted quadriplegics. Friendships and romances formed. The experience of 504 helped create a sense of community grounded in successful activism that in turn gave people with disabilities a sense of their historical agency. Once people with disabilities had shown this prospect to the outside world and to themselves, they could continue to fight for expanding their civil rights. Indeed, a number of 504 participants would go on to help forge the ADA as well as key organizations such as Disability Rights Education & Defense Fund -DREDF (1979) and the World Institute on Disability – WID (1983) that promote disability rights.

And thanks to insisting that 504 be signed unchanged, language linking disability rights to civil rights would find its way into the law of the land. Section 504 states in part: “No otherwise qualified handicapped individual in the United States shall, solely by reason of his handicap, be excluded from the participation in, be denied the benefits of, or be subjected to discrimination under any program or activity receiving federal financial assistance.”

The Americans with Disabilities Act is far from perfect. But thanks in no small part to our brave sisters and brothers 37 years ago, at its core the ADA is more about rights than about charity. Let us not forget that this movement, like our nation and its other ongoing struggles for civil rights, was forged in revolution. By sharing this history, we hope to inspire? incite? future generations to continue this important work.

A diverse crowd of people with disabilities gathers in front of the HEW building, city hall can be seen in the distance, a sign reads "We Shall Overcome."
Outside of the HEW building, April 1977. Photograph by Anthony Tusler.

Friday, March 28, 2014

Artifacts Collection_Interface Group

So far the interface group collected these artifacts for the exhibition to represent the era of the 1970's. All of them are from the 70's and will be modified to play/demonstrate some of the speeches, news and demonstrations that happened here in the Bay area to insist congress pass the American Disability Act (ADA.)
All artifacts have arrived and ready to be processed.

Collected artifacts on shelves from the late seventies. A red bullhorn, two typewriters, a radio, clock, and dial pad phone sit on the shelves.
Collected artifacts of the seventies.




Thursday, March 20, 2014

Introduction / Logistics Team

A solid purple banner containing Paul K Longmore's logo sits in the center with the words "Patient No More!" underneath.
Paul K. Longmore Institute on Disability. Patient No More Logo


Hello, we are interns assisting Professors Pino Trogu and Silvan Linn alongside the Paul K. Longmore Institute on Disability.

GOALS

The overall goal of our project is to establish a brand styling and complete fabrication of the Institute’s commemorative 25th anniversary exhibit of the Americans with Disabilities Act that will happen in 2015. By incorporating different forms of accessibility into the exhibit, we can show how to approach this topic in a creative way.

25TH ANNIVERSARY EXHIBIT 

This exhibit intends to explore the nearly month-long occupation of SF’s Health, Education, and Welfare Building in April 1977. They pushed to pass Section 504 of the 1973 Rehabilitation Act in order to grant equal civil rights to people with disabilities. The protest grouped together a widely diverse group of people of varying disabilities and also successfully obtained their civil rights. By expanding on Paul K. Longmore’s concepts of social justice, we hope this exhibit provides viewers with new ideas and changing ideas about disability and the people it affects as well as tell their unheard stories from this strong movement.

The exhibit will be based at the new Ed Roberts Campus in Berkeley, accessible from the Ashby BART station. You can also visit the Institute here on the SFSU campus in the Humanities Building, Room 135.


Ed Roberts Campus Rotunda looking at the center from the beginning of the climb.
Ed Roberts Campus Rotunda

INVOLVEMENT

The DAI department grew involved due to the Institute’s goal to outreach to SFSU to make this exhibit possible. We are participating to capture part of history than just standing idly by similar to how the protesters felt. In that way, the title “Patient no More!” is very fitting. With our skills, we are working to showcase these ideas in a concise manner that will spark interest. It also gives us many opportunities to increase interdisciplinary relationships and showcase the changes our students are making.

LOGISTICS TEAM

To start, Logistics team banded together to get the group going. Everyone grouped into what was fitting for their skills.

Contact and Time Sheet on Google Drive with contact information, hours, and a currently working on list.
Contact and Time Sheet via Google Drive

First task was to ideate, set up smaller prototypes, and create a final full-scale mock up of the exhibit display to be used to house the exhibit pieces.

Images, sketches, and lists are pinned to a board with another image of miniature models on a table.
Mood board and ideations
Pinned to the wall are several sketches of model ideations.
Sketches to determine final styling and sizing.
A full-size cardboard exhibit display model inside the Ed Roberts building.
Full-size prototype for review. Received good feedback.

From there, logistics looked to dividing and organizing teams to allocate specific tasks to. By using Google Drive, this allowed the team to send updates to the other interns in a more effective manner. To keep track of at-internship hours, a planer log sheet was created as well as a weekly update sheet. Aside from updates, the Logistics teams also assists with the 3D, Graphics, and Interface team.

Patient No More's files listed on the Google Drive site. It consists of group folders, timesheet, and word documents.
Folder breakdown via Google Drive
Time sheet grid for students to fill in their hours.
Time Sheet format for in-class
Longmore Exhibit Updates Document highlighting specific tasks that need to be completed.
Update Log via Google Drive

Logo Ideation from the 2D Group

collection of historical photos, found images, color palates, quotes for logo inspiration
Collective Mood board

the words "Patient No More!" written in a variety of fonts
Accessible Typefaces

the words "Patient No More!" written in a variety of fonts, explanation of important characteristics of accessible type
Additional Accessible Typefaces

Mood board and Logo Concepts from Maggie L.

1970's wallpapers, patterns, and prints in orange, yellow, blue, green for inspiration
Patterns from the seventies.

photos and striped patterns inspired by 1970's culture
Photography and colors from the seventies.

logos and typefaces of the 1970's
Typefaces and designs of the seventies.

logos and typefaces of the 1970's
Additional seventies Designs.

"Patient No More!" logo idea incorporating disability symbols as letterforms
504 Patient No More Logo Concepts.

"Patient No More!" logo idea incorporating disability symbols as letterforms, color included
504 Patient No More Logo Concepts.

"Patient No More!" logo idea incorporating disability symbols as letterforms, color included
504 Patient No More Logo Concepts.

"Patient No More!" logo idea incorporating disability symbols as letterforms
504 Patient No More Logo Concept.

posters of 1970's social movements, type treatments of "Patient No More!"
Inspirational Images and Text Treatments from Hanae A.

vanishing point sketch of "Patient No More!" logo. The back of a wheelchair rolls away in the distance as it marks a path with the words "Patient No More" inside and the time 00 hour 00 min 00 sec.
Logo Sketch from Kristian A.

504 Patient No More logo in large blod text center justified.
Logo Ideation from Tony S.


504 Patient No More logo in bold text. 504 is stacked on the left with a large exclamation mark to its right and the words "Patient No More" justified left to the right of the exclamation mark.
Logo Ideation from Tony S.


504 Patient No More logo. The words Patient No More are large and justified right with the numbers 504 small and to the left.
Logo Ideation from Tony S.

504 Patient No More logo. Patient No More is aligned to the left and the numbers 504 are large and on the bottom left of the image.
Logo Ideation from Tony S.

icon of person in wheelchair balancing on back wheel and showing a peace sign
Logo Ideation from Tony S.

moodboard of collaged images, 1970's San Francisco posters, images from social movements
Mood board from Alexandra S.

504 Patient No More! logo concepts. There are eight logo concepts with the numbers 504 and the words Patient No More People with Disabilities Securing Civil Rights
Logo Ideation from Alexandra S.

sketches of potential "Patient No More!" logos. The sketches include the numberse 504 and the words Patient No more.
Logo Ideation and Sketches from Chelsea L.

Two illustrator renderings of "Patient No More!" logo sketches.
Logo Ideation and Sketches from Chelsea L.

Compilation of inspirational images and existing disability logos.
Inspirational Images and Disability Logos Compiled by Dung N.


Wednesday, March 19, 2014

Meeting and Model Assembly

Student Internship Meeting in room 200A. All students are gathered around the long conference table in the center of the room.
Student Internship Meeting.

First image of station model assembly. Assembly half of station.
First image of station model assembly. Assembling half of station.
Second image of station model assembly. Assembling left end of station.
Second image of station model assembly. Assembling left end of station.

Third image of station model assembly. Attaching graphics board to station.
Third image of station model assembly. Attaching graphics board to station.

Fourth image of station model assembly. Connecting the two halves of station.
Fourth image of station model assembly. Connecting the two halves of station.

Sixth image of station model assembly. Connecting the ends to the station.
Sixth image of station model assembly. Connecting the ends to the station.

Fully assembled station model.
Fully assembled station model.

Presenting station model and receiving feedback.
Presenting station model and receiving feedback.

Displaying quarter scale model of exhibit space.
Displaying quarter scale model of exhibit space.

Displaying quarter scale model of exhibit space with scale models of stations.
Displaying quarter scale model of exhibit space with scale models of stations.

Members taking a closer look at exhibit space and scale models.
Members taking a closer look at exhibit space and scale models.